Please Dont advertise/buy them ABXO,” Baker tweeted.Ī substantial portion of the eight-time Grammy winner’s other recent tweets have mentioned the small per-stream payments delivered to creators from today’s leading music platforms. And, by Law…30 yr old, Mstrs are 2B Returned, 2 Me Unfortunately, They’re gonna make me Fight 4 it. Mo Pop will continue Sunday with a full day of music, including a fest-closing performance from Big Sean, as the rapper plays his first hometown concert in more than five years.“Miraculously… i have out-lived *ALL, of my Artists Contracts They no longer ‘Own’, My Name & Likeness. Being in the concrete heart of downtown Detroit deepened Mo Pop’s urban feel, and it was nice to lose the audio slapback that afflicted West Riverfront, where sound bounced off the big postal facility nearby.īut it also brought some congestion issues, particularly at the Eastown stage. In some ways, Hart Plaza made for a more compact, manageable experience. The warning was justified, though her ragged vocals didn’t detract entirely from the band’s sunshine-coated brooding, including the viral hit "Prom Queen."Įxhorting the crowd to bounce, she said she's observed that "the post-pandemic crowd is a little tense, and we've got to change that."ĭayglow, the project helmed by Texas artist Sloan Struble, was bright and earnest in his embrace of old-school pop sounds, serving up his homemade hits ("Can I Call You Tonight?"), mashing up "Medicine" with Lipps Inc.'s "Funkytown" and sealing the '80s immersion with a cover of Tears for Fears' "Everybody Wants to Rule the World." Beach Bunny’s Lili Trifilio apologized in advance for the state of her voice - she’d done a lot of “screaming and singing” in recent days, she told the crowd. Many of the day’s visiting artists were hitting Detroit in the heart of the touring season. With his colorful keyboards, stomping beats and sing-songy lines, the Detroit newcomer at times came off like a hip-hop Andrew W.K. Singer-rapper Whu Else, who emerged during the pandemic, made his stage debut, delivering a head-turning set that amounted to a musical collage. A whiff of ‘90s nostalgia was in the air early in the afternoon, thanks to the aloof alt-rock of young Chicago trio Horsegirl or the Breeders-saturated sound of England’s Wet Leg, who took the stage to a “Lord of the Rings” theme.Ī pair of Detroit acts kicked off the day: Charity, playing the first festival of her career, delighted the arriving crowd with a warm neo-soul and an off-the-beaten-path Stevie Wonder cover (“Jesus Children of America”).
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